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"Happy Choppers" (2003) by Banksy is a silkscreen print that features military helicopters adorned with a bright pink bow, set against a blue sky with fluffy white clouds. This juxtaposition of menacing war machinery with a playful, childlike element exemplifies Banksy's characteristic use of irony and satire. Through this artwork, Banksy critiques the military-industrial complex and highlights the absurdity of war. The unsigned print is part of Banksy's broader oeuvre, which often challenges social and political norms through striking, thought-provoking imagery.

Published by Pictures on Walls, London,
Accompanied by Pest Control COA and original Pictures on Walls cardboard tube.
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"I Saw Half the Moon" (2002) by Damien Hirst is a unique, hand-finished coloured etching. Hirst employs a distinctive method involving a spin machine, which he originally developed during the 1993 'A Fete Worse than Death' event with artist Angus Fairhurst. Inspired by a children's game, they used an inverted electric drill to create spin paintings. For this series, Hirst adapted the technique to etching, attaching copper plates to the spin machine and drawing with sharp tools. This method produces dynamic circular patterns with vibrant splashes of color, adding depth and movement to the structured lines.

Published by Paragon Press
From the Portfolio: 'In a spin: the Action of the World on Things, Volume I'
Sheet: 88 x 70cm
Signed and titled in pencil on front

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Hand-signed and numbered on the front
60.5 x 152.5 cm (framed)
52 x 144 cm (unframed)
Edition 75 / 100 (total edition includes 20 Artist's proofs)
Walnut frame with Tru Vue Optium Acrylic Glass
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"Untitled" by David Shrigley features a playful depiction of a Capricorn goat licking an ice cream cone, combining humor with a simplistic, bold style. The painting showcases Shrigley's characteristic approach, blending childlike innocence with a satirical edge. The use of broad, expressive brushstrokes in grayscale for the goat contrasts sharply with the vibrant colors of the ice cream, emphasizing the playful nature of the piece. Shrigley's work often explores everyday absurdities, and this piece is a perfect example of his unique ability to merge wit and visual art.

Provenance:
Stephen Friedman Gallery
Private Collection, Hong Kong (purchased directly from above)
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"Untitled" by David Shrigley features a playful and humorous illustration of a man's head with the top part removed, revealing a small smiling face inside. Shrigley's characteristic style combines simplicity with a satirical edge, using bold lines and playful colours. This piece exemplifies his ability to blend visual art with witty, thought-provoking messages, often reflecting on everyday absurdities and human behaviour.

Provenance:
Stephen Friedman Gallery
Private Collection, Hongkong
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"_OMP3071.jpg.ai" (2014) by Julian Opie is a striking example of the artist's signature style, which employs bold lines and flat colours to create a minimalist yet recognisable portrait. This piece features a man wearing a hat and glasses, captured with simple, clean lines against a bright blue background. Opie's work often explores themes of identity and the essence of human appearance, reducing subjects to their most basic forms. This portrait aligns with his broader oeuvre, continuing his exploration of digital and traditional techniques to distil the human figure into iconic imagery.
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"Pinocchio" by Liu Ye is a monochromatic work that captures the essence of the classic character in a unique and contemplative manner. Liu Ye's portrayal of Pinocchio features the puppet with a serene, almost melancholic expression, set against a stark black background. The simplicity and muted tones of the piece highlight the emotional depth and introspective quality of the character. Known for blending Eastern and Western influences, Liu Ye often infuses his work with a sense of innocence and introspection. "Pinocchio" exemplifies his distinctive style, focusing on themes of childhood, nostalgia, and the interplay between fiction and reality.

Printed by Vigna Antoniniana, Rome
Published by 2RCCAFA, Beijing
Signed, dated, and numbered recto
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"Hole" (2021) by Piers Alsop is a compelling and introspective painting that blends surrealism with contemporary themes. The artwork features a nude figure sitting atop a large, rounded pink form, holding a bottle and gazing downward, with the moon visible in the dark background. The figure's introspective pose and the vast, empty space surrounding them evoke a sense of isolation and contemplation. Alsop's use of soft, muted colors and delicate brushstrokes adds a dreamlike quality to the painting. This piece reflects Alsop's ongoing exploration of human emotion and the complexities of the human psyche, making it a poignant example of his work.

Signed by artist on verso
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"Hola" (2018) by Piers Alsop is an evocative painting that blends surrealism with abstract elements. This artwork features a dark, enigmatic interior space, dominated by a large, shrouded figure with a white, faceless oval. The background reveals a lively beach scene, viewed through a window, creating a striking contrast between the tranquil interior and the dynamic exterior. Alsop's use of muted, cool tones and dramatic lighting enhances the mysterious atmosphere, inviting viewers to ponder the narrative and emotional tension within the piece. "Hola" is a significant example of Alsop's ability to merge introspective and external worlds, exploring themes of isolation, observation, and the interplay between different realities.

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"Pheasant" (1982) by Robert Mapplethorpe is a compelling black and white photograph that showcases the artist's meticulous attention to composition and detail. This image features a pheasant hanging upside down, its feathers and form starkly contrasted against a dark background. Mapplethorpe's work often explores themes of beauty, mortality, and the juxtaposition of light and shadow, and "Pheasant" is a striking example of his ability to capture the elegance and stillness of his subjects. The photograph's dramatic lighting and precise focus highlight the textures and patterns in the bird's plumage, making it a powerful and evocative piece within Mapplethorpe's oeuvre.

Literature:
Mapplethorpe. Photographs, London, Jonathan Cape, 1992, ill. p. 257;
Edmund White, Mapplethorpe. Altars, London, Jonathan Cape, 1995, ill. p 101 (variante en couleurs).
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"Untitled" (1996) by Steven Parrino exemplifies the artist's radical approach to abstraction and deconstruction. This piece features vibrant red hues with dynamic textures and folds, creating a dramatic visual impact. Parrino's work often involves manipulating canvases and materials to challenge traditional notions of painting, and "Untitled" is no exception. The artwork is composed of two overlapping sections, one with a piece of silver tape, adding a physical, almost sculptural element to the composition. Parrino's use of unconventional techniques and materials emphasizes the physicality and objecthood of the painting, marking a significant contribution to contemporary art.

Signed and Dated 96.

Exhibition History:
Steven Parrino: Little Anal Annie, August 11 - September 15, 2019,
OFFSITE: CHALET Marc Jancou, Rossinière, Switzerland
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"Onbu (Piggyback) (Blue)" (2013) by Stik is a minimalist yet emotionally evocative piece featuring two of the artist's signature stick figures, with one carrying the other on its back. Rendered in black lines against a pale blue background, this artwork captures a sense of support and camaraderie. This particular impression is notable for the clear visibility of the woodgrain printing in the background, adding a textured dimension to the piece. Stik's simple yet expressive style conveys deep emotion through basic forms, and his work often addresses themes of community and human connection. This limited edition piece reflects Stik's impactful visual language and social commentary.

Printed at the Adachi Foundation, Japan
Published by the artist

Block 396 x 180 mm.
Sheet 474 x 200 mm.
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"Yayoi Kusama's Alice's Adventures in Wonderland" (2012) is a limited-edition collaboration between the iconic Japanese artist and Louis Vuitton. This special edition features Kusama's signature polka dot motifs and includes a custom-made box, a portrait of Alice in Kusama's distinctive style, and a photograph of Kusama herself in her studio. The book brings a contemporary art twist to Lewis Carroll's classic tale, combining Kusama's vibrant, whimsical aesthetic with the timeless story. This edition highlights Kusama's ongoing exploration of repetitive patterns and bold colours, making it a unique collector's item that bridges literature and visual art.

The complete set of one screeprint and one Lambda print in colors, on Somerset and Fuji Crystal Archive paper, with full margins, contained in archival mats, with accompanying bound book edition of Lewis Carrol's Alice's Adventures in Wonderland, all contained in the original red cloth-covered portfolio case with screenprinted white dots and artist's name.

Portfolio 30 1/2 x 21 1/2 x 2 3/4 in. (77.5 x 54.6 x 7 cm)
book 9 x 7 1/2 x 1 in. (22.9 x 19.1 x 2.5 cm)
screenprint I. 14 1/2 x 11 5/8 in. (36.8 x 29.5 cm)
Lambda print S. 25 1/2 x 16 3/4 in. (64.8 x 42.5 cm)
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"Mori Girl" (2012) by Yoshitomo Nara is a charming figurine that embodies the artist's distinctive blend of whimsy and melancholy. This limited-edition sculpture features a girl with large, expressive eyes, her hair styled to resemble a tree, emphasizing themes of nature and innocence. Nara is renowned for his ability to capture the complexity of childhood emotions through his characters, often blending cute aesthetics with a deeper, sometimes darker narrative. "Mori Girl" is a continuation of Nara's exploration of childhood, nature, and the subconscious, making it a notable piece within his broader body of work.

Accompanied by COA. In it's original presentation box.
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"Marilyn Crying" by Russell Young is a poignant portrayal of the iconic Marilyn Monroe. Rendered in a monochromatic palette, the artwork captures a moment of vulnerability, with Monroe's hand covering part of her face and her eyes closed. Young, known for his work in contemporary pop art, often explores themes of fame and tragedy. This piece is emblematic of his oeuvre, reflecting his fascination with the darker aspects of celebrity culture. The subdued tones and emotive expression mark a stark contrast to Monroe's glamorous public image, offering a deeper commentary on the pressures of stardom.
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Pejac's "A Forest" is a haunting monochromatic print, juxtaposing the natural beauty of a dense, mist-covered forest with the stark, industrial chimneys emitting smoke. This striking contrast underscores themes of environmental degradation and the encroachment of industry on nature. The artwork is emblematic of Pejac's oeuvre, known for its powerful social and environmental commentary, often conveyed through minimalistic yet impactful visual narratives. Here, Pejac's characteristic style of merging stark realism with poignant messages is vividly evident, reinforcing his reputation as a thought-provoking contemporary artist.
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Signed and inscribed to lower right ‘To Eddie Myrick Kramer Andy Warhol’.
One of approximately 100 signed examples.

Provenance
Collection of Eddie Myrick | Collection of Richard Turley | Private Collection, New York

Literature
Feldman & Schellmann II.11A
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