George Condo’s “Portrait and Head” (2024) distills the artist’s unmistakable ability to fuse the grotesque and the sublime into a single, psychologically charged image—an approach that has made him one of the defining voices of contemporary portraiture. Produced as a technically demanding 33-color screenprint with spot colours on Somerset Tub Sized Radiant White 600gsm paper, the work reflects the printmaking discipline Condo developed early in his career at Andy Warhol’s Factory, where precision and experimentation were not opposites but the same practice.