Louise Bourgeois’ Untitled (1998) is a visceral drawing rendered in red ink, depicting a string of disembodied feet-like forms hanging on a line. The image evokes themes of bodily fragmentation, trauma, and domestic ritual—motifs central to Bourgeois’ lifelong exploration of memory and the subconscious. This work exemplifies her late-period return to drawing as a form of psychological excavation, using simple materials to express complex emotional states. Its raw immediacy and symbolic resonance are typical of Bourgeois’ oeuvre, which often oscillates between vulnerability and violence, particularly in her representations of the body and the feminine experience.