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"Pinocchio" by Liu Ye is a monochromatic work that captures the essence of the classic character in a unique and contemplative manner. Liu Ye's portrayal of Pinocchio features the puppet with a serene, almost melancholic expression, set against a stark black background. The simplicity and muted tones of the piece highlight the emotional depth and introspective quality of the character. Known for blending Eastern and Western influences, Liu Ye often infuses his work with a sense of innocence and introspection. "Pinocchio" exemplifies his distinctive style, focusing on themes of childhood, nostalgia, and the interplay between fiction and reality.Printed by Vigna Antoniniana, Rome
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"The Boundaries of Our Reality" by The Connor Brothers is a thought-provoking screen print blending vintage imagery with modern typography. The artwork features a glamorous woman in a satin gown, lounging against a backdrop of colourful circles and a striking yellow background. The text, "The boundaries of our reality are set by the limits of our imagination," underscores themes of perception and creativity. Typical of The Connor Brothers' oeuvre, this piece combines humour and irony with a nostalgic aesthetic, challenging viewers to question the nature of reality and the power of imagination.Mint condition.
Hand Signed and Numbered.
Billy Childish’s Moonrise is a contemplative landscape that merges romantic naturalism with a modernist twist. Framed by textured tree trunks, the serene scene of a rising moon reflected in a tranquil body of water evokes a timeless connection to nature. The soft pastel palette, combined with linear details and a delicate lightbulb reflection in the water, imbues the work with both warmth and mystery. This painting aligns with Childish’s broader practice of blending introspective themes and expressive techniques, offering a poetic meditation on solitude, the passage of time, and humanity’s relationship with the natural world.Provenance:
Artist
Neugerriemschneider Gallery, Berlin (Art Basel
Hanan by Roby Dwi Antono features a melancholic, childlike figure with oversized eyes and a stark, monochromatic palette. Known for blending surrealism with pop culture, Antono’s works often explore innocence, vulnerability, and existential themes. This piece, with its haunting simplicity and subtle expression, reflects Antono’s signature style—evoking both nostalgia and unease. The character’s minimalistic features and muted tones focus attention on the figure’s gaze, a hallmark of the artist’s exploration of human emotion. Hanan is emblematic of Antono’s oeuvre, showcasing his ability to merge contemporary illustration with classical motifs to create dreamlike, thought-provoking imagery.
Signed and Numbered on Verso. Andy Warhol’s Cow is a quintessential example of his Pop Art aesthetic, elevating a seemingly mundane subject into a vibrant, iconic image. The artwork features a high-contrast, screen-printed cow in bold yellow against a bright blue background, creating a striking visual effect. This piece reflects Warhol’s fascination with mass production and consumer culture, as he transforms everyday imagery into captivating art. Cow deviates from Warhol’s celebrity portraits and soup cans, instead exploring the interplay of humour and absurdity in a rural motif. It highlights his ability to imbue ordinary subjects with unexpected charm and cultural significance.
Okta by Roby Dwi Antono is a hauntingly ethereal piece that embodies the artist’s signature fusion of surrealism and emotional introspection. Rendered in a monochromatic palette, the figure’s oversized, glassy eyes and soft, shadowed features evoke a sense of melancholy and innocence. Antono explores themes of solitude, childhood, and existential reflection, often juxtaposing beauty with unease. The sombre atmosphere, enhanced by the blurred edges and textured shading, reflects the dreamlike quality typical of Antono’s work. Okta aligns with his broader oeuvre, which frequently focuses on enigmatic, childlike figures to provoke introspection and emotional resonance.
Mario Schifano’s Tutte Stelle presents a dynamic constellation of red and yellow stars scattered across a hazy, textured background, evoking cosmic wonder and abstraction. Created during his exploration of popular culture and symbols, the work reflects Schifano’s interest in blending minimalism with the graphic language of mass media. This painting is emblematic of Schifano’s oeuvre, where recurring themes of modernity and iconography are infused with a playful yet profound aesthetic. The piece epitomises his ability to merge conceptual depth with striking visual simplicity.
PROVENANCE
Acquired directly from the artist by the present owner in 2018EXHIBITED
London, Royal Academy of Arts, RA Schools Show, 2018.
"Galos" by Chico da Silva bursts with vibrant colour and symbolic intensity, depicting two ornately stylised roosters in a dynamic, mirrored pose. Da Silva, a Brazilian artist celebrated for his folkloric and mythological themes, uses vivid pigments and fine line work to evoke movement and spiritual energy. Overall, the work explores themes of duality, conflict, and ritual, echoing indigenous cosmologies and the rhythms of nature. "Galos" is emblematic of da Silva’s oeuvre, which often combines fantastical creatures with a psychedelic palette, rooted in Amazonian visual culture and his own unique visionary style.
Javier Calleja’s No Wings to Fly (2023) is a charming mixed media sculpture that exemplifies the artist’s instantly recognisable aesthetic. Featuring an endearing, wide-eyed character with oversized green pupils, a mop of red hair, and exaggerated feet, the figure leans forward playfully, arms outstretched in a gesture of innocence and longing. The smooth, cartoon-like surface and minimalist palette enhance its toy-like appeal. As with much of Calleja’s oeuvre, this work blurs the line between sculpture and collectible, touching on themes of vulnerability, childhood, and emotional sincerity, all wrapped in a disarmingly whimsical, pop-inflected visual language.
![All You Need is Love [with Diamond Dust]](https://artscapy.s3.amazonaws.com/bx_ads_photos_resized/d/dz/dzt/dzttbuctrrxpckx4tjjw6khpdzvv4ccx.png)
Damien Hirst’s All You Need is Love showcases his iconic motif of butterflies, a recurring symbol in his work that reflects themes of beauty, fragility, and mortality. The piece presents an arrangement of vibrant butterflies—yellow, blue, and red—floating against a pale background, evoking a sense of lightness and transience. Typical of Hirst’s oeuvre, the artwork juxtaposes the ephemeral beauty of nature with deeper meditations on life and death. The butterflies, often associated with transformation and impermanence, capture his fascination with the cycle of existence, resonating with his broader explorations of art, science, and the passage of time.Signed in black ink and numbered in penci
This untitled 1973 artwork by Chico da Silva presents a vivid, dragon-like creature embellished with feathered wings and sinuous, decorative patterns. A brightly coloured bird rests atop its back, enhancing the surreal and mythical atmosphere of the scene. Overall, Da Silva’s characteristic use of bold, layered colours and intricate, wave-like brushstrokes is on full display, evoking his distinctive, folkloric aesthetic. Deeply rooted in Amazonian mythology and indigenous traditions, the composition reflects the artist’s fascination with fantastical hybrids and spiritual creatures. This piece is highly representative of his broader body of work, rich in symbolic imagination and vibrant visua
In Milano 3 (1992) by Lee Ufan is a minimalist print that elegantly explores repetition and gesture through the motif of the hat, rendered in rhythmic black and beige brushstrokes across a stark white surface. Measuring 155 x 91 cm and part of an edition of 50, this work continues Ufan’s lifelong meditation on presence and absence, material and void. The composition echoes his signature Relatum philosophy, yet the playful form of the hat suggests a more whimsical departure from his typically austere, meditative abstractions—marking this piece as a subtle but notable deviation within his broader oeuvre.
Lee Ufan’s In Milano 5 presents a rhythmic arrangement of bold, black brushstrokes scattered across a luminous white surface. The horizontal orientation and grounded placement of the marks evoke a subtle landscape, inviting contemplation of balance, silence, and the intervals between presence. Characteristic of Ufan’s minimalist and philosophical approach, the piece reflects his core concerns with spatial awareness and the dynamic between form and void. This work is highly representative of his established visual language, continuing his exploration of gesture as both an aesthetic and metaphysical act.
![Las Flores del Mar Eran del Ayer I & II [Ditpych]](https://artscapy.s3.amazonaws.com/bx_ads_photos_resized/p/pd/pdx/pdxvweknxcuefndxqvycf8pgg8wckfjk.png)
Alexander Mignot’s Las Flores del Mar Eran del Ayer I & II is a raw and emotive diptych that confronts memory, transience, and the erosion of beauty. With gestural swaths of crimson evoking organic forms—perhaps flowers or sea creatures—set against stark white fields, the work feels simultaneously tender and confrontational. Scrawled text fragments like “AYER” (yesterday) and “LAS FLORES” (the flowers) anchor the composition in a poetic temporality, alluding to the loss or fading of something once vibrant. This piece continues Mignot’s characteristic use of expressive abstraction and language, making it a poignant extension of his deeply personal visual lexicon.
"Red Earth" by Loie Hollowell is a striking screenprint that exemplifies her exploration of abstract forms and vibrant colours. The artwork features a series of undulating, organic shapes that emanate from a central point, creating a sense of depth and movement. The rich hues of red, orange, and brown evoke the warm tones of the earth, while the textural gradients add a tactile quality to the print. Hollowell's work often delves into themes of landscape and the human body, blending them into abstract compositions. "Red Earth" is characteristic of her style, capturing the essence of natural forms through a bold and captivating visual language.
Gal Schindler’s Widening Circles radiates a sense of serenity and introspection through its ethereal composition and delicate use of line. A faint, reclining nude figure stretches across a pale, almost translucent background, interwoven with fine red threads that suggest both connection and distance. Above, five luminous orbs evoke celestial bodies or expanding points of consciousness, echoing the work’s title. The piece meditates on themes of selfhood, sensuality, and cosmic unity. While Schindler often works with figuration and abstraction, Widening Circles represents a more subtle and poetic approach within her body of work, marking a lyrical evolution in her visual language.