Popular Ads
"Pinocchio" by Liu Ye is a monochromatic work that captures the essence of the classic character in a unique and contemplative manner. Liu Ye's portrayal of Pinocchio features the puppet with a serene, almost melancholic expression, set against a stark black background. The simplicity and muted tones of the piece highlight the emotional depth and introspective quality of the character. Known for blending Eastern and Western influences, Liu Ye often infuses his work with a sense of innocence and introspection. "Pinocchio" exemplifies his distinctive style, focusing on themes of childhood, nostalgia, and the interplay between fiction and reality.Printed by Vigna Antoniniana, Rome
Published by
"The Boundaries of Our Reality" by The Connor Brothers is a thought-provoking screen print blending vintage imagery with modern typography. The artwork features a glamorous woman in a satin gown, lounging against a backdrop of colourful circles and a striking yellow background. The text, "The boundaries of our reality are set by the limits of our imagination," underscores themes of perception and creativity. Typical of The Connor Brothers' oeuvre, this piece combines humour and irony with a nostalgic aesthetic, challenging viewers to question the nature of reality and the power of imagination.Mint condition.
Hand Signed and Numbered.
Signed and Numbered on Verso. Andy Warhol’s Cow is a quintessential example of his Pop Art aesthetic, elevating a seemingly mundane subject into a vibrant, iconic image. The artwork features a high-contrast, screen-printed cow in bold yellow against a bright blue background, creating a striking visual effect. This piece reflects Warhol’s fascination with mass production and consumer culture, as he transforms everyday imagery into captivating art. Cow deviates from Warhol’s celebrity portraits and soup cans, instead exploring the interplay of humour and absurdity in a rural motif. It highlights his ability to imbue ordinary subjects with unexpected charm and cultural significance.
Hanan by Roby Dwi Antono features a melancholic, childlike figure with oversized eyes and a stark, monochromatic palette. Known for blending surrealism with pop culture, Antono’s works often explore innocence, vulnerability, and existential themes. This piece, with its haunting simplicity and subtle expression, reflects Antono’s signature style—evoking both nostalgia and unease. The character’s minimalistic features and muted tones focus attention on the figure’s gaze, a hallmark of the artist’s exploration of human emotion. Hanan is emblematic of Antono’s oeuvre, showcasing his ability to merge contemporary illustration with classical motifs to create dreamlike, thought-provoking imagery.
Okta by Roby Dwi Antono is a hauntingly ethereal piece that embodies the artist’s signature fusion of surrealism and emotional introspection. Rendered in a monochromatic palette, the figure’s oversized, glassy eyes and soft, shadowed features evoke a sense of melancholy and innocence. Antono explores themes of solitude, childhood, and existential reflection, often juxtaposing beauty with unease. The sombre atmosphere, enhanced by the blurred edges and textured shading, reflects the dreamlike quality typical of Antono’s work. Okta aligns with his broader oeuvre, which frequently focuses on enigmatic, childlike figures to provoke introspection and emotional resonance.
Mario Schifano’s Tutte Stelle presents a dynamic constellation of red and yellow stars scattered across a hazy, textured background, evoking cosmic wonder and abstraction. Created during his exploration of popular culture and symbols, the work reflects Schifano’s interest in blending minimalism with the graphic language of mass media. This painting is emblematic of Schifano’s oeuvre, where recurring themes of modernity and iconography are infused with a playful yet profound aesthetic. The piece epitomises his ability to merge conceptual depth with striking visual simplicity.
PROVENANCE
Acquired directly from the artist by the present owner in 2018EXHIBITED
London, Royal Academy of Arts, RA Schools Show, 2018.
![All You Need is Love [with Diamond Dust]](https://artscapy.s3.amazonaws.com/bx_ads_photos_resized/d/dz/dzt/dzttbuctrrxpckx4tjjw6khpdzvv4ccx.png)
Damien Hirst’s All You Need is Love showcases his iconic motif of butterflies, a recurring symbol in his work that reflects themes of beauty, fragility, and mortality. The piece presents an arrangement of vibrant butterflies—yellow, blue, and red—floating against a pale background, evoking a sense of lightness and transience. Typical of Hirst’s oeuvre, the artwork juxtaposes the ephemeral beauty of nature with deeper meditations on life and death. The butterflies, often associated with transformation and impermanence, capture his fascination with the cycle of existence, resonating with his broader explorations of art, science, and the passage of time.Signed in black ink and numbered in penci
Javier Calleja’s No Wings to Fly (2023) is a charming mixed media sculpture that exemplifies the artist’s instantly recognisable aesthetic. Featuring an endearing, wide-eyed character with oversized green pupils, a mop of red hair, and exaggerated feet, the figure leans forward playfully, arms outstretched in a gesture of innocence and longing. The smooth, cartoon-like surface and minimalist palette enhance its toy-like appeal. As with much of Calleja’s oeuvre, this work blurs the line between sculpture and collectible, touching on themes of vulnerability, childhood, and emotional sincerity, all wrapped in a disarmingly whimsical, pop-inflected visual language.
This untitled 1973 artwork by Chico da Silva presents a vivid, dragon-like creature embellished with feathered wings and sinuous, decorative patterns. A brightly coloured bird rests atop its back, enhancing the surreal and mythical atmosphere of the scene. Overall, Da Silva’s characteristic use of bold, layered colours and intricate, wave-like brushstrokes is on full display, evoking his distinctive, folkloric aesthetic. Deeply rooted in Amazonian mythology and indigenous traditions, the composition reflects the artist’s fascination with fantastical hybrids and spiritual creatures. This piece is highly representative of his broader body of work, rich in symbolic imagination and vibrant visua
"Red Earth" by Loie Hollowell is a striking screenprint that exemplifies her exploration of abstract forms and vibrant colours. The artwork features a series of undulating, organic shapes that emanate from a central point, creating a sense of depth and movement. The rich hues of red, orange, and brown evoke the warm tones of the earth, while the textural gradients add a tactile quality to the print. Hollowell's work often delves into themes of landscape and the human body, blending them into abstract compositions. "Red Earth" is characteristic of her style, capturing the essence of natural forms through a bold and captivating visual language.
"Marilyn Crying" by Russell Young is a poignant portrayal of the iconic Marilyn Monroe. Rendered in a monochromatic palette, the artwork captures a moment of vulnerability, with Monroe's hand covering part of her face and her eyes closed. Young, known for his work in contemporary pop art, often explores themes of fame and tragedy. This piece is emblematic of his oeuvre, reflecting his fascination with the darker aspects of celebrity culture. The subdued tones and emotive expression mark a stark contrast to Monroe's glamorous public image, offering a deeper commentary on the pressures of stardom.
"Drawing Party" (2020) by Rebecca Ness is a richly detailed oil painting depicting a lively, intimate scene of collaborative creativity. Set around a wooden table cluttered with sketches, pencils, and notes, several hands engage in drawing, gesturing, or resting—suggesting a communal art session. At the center, a phone displays a woman’s focused face, possibly attending virtually, blending digital presence with physical space. Ness’s signature style—hyper-detailed, pattern-rich, and deeply personal—captures the textures of everyday life while highlighting themes of connection, creativity, and observation.
Yayoi Kusama's Pumpkin (RT), created in 1996, exemplifies her iconic motif of pumpkins rendered in meticulous dot patterns. The central red pumpkin, set against a black, web-like background, exudes a sense of hypnotic repetition and infinite depth, hallmarks of Kusama's work. The piece reflects her lifelong exploration of themes such as obsession, nature, and the interplay of form and void. Pumpkins, a symbol of comfort from Kusama's childhood, recur throughout her oeuvre, embodying her blend of personal narrative with universal appeal. This work is quintessential Kusama, capturing her unique vision and compulsive dedication to pattern and form.
"Happy Choppers" is one of Banksy’s most iconic prints, first unveiled in 2003 at the artist’s Turf War exhibition. The print exemplifies Banksy’s signature blend of anti-authoritarian messaging and dark humor, combining elements of military imagery with subversive satire.The print depicts a group of military helicopters, armed and ready for combat, flying menacingly above. However, the twist lies in the absurdity of a single helicopter, painted with a pink bow on its head, softening the violent and aggressive appearance. This contrast between war machines and a lighthearted, almost childish adornment is typical of Banksy’s work, where he uses contradictions to provoke thought.Banksy is know
Imon Boy’s Nobody Cares (2023) is a sculpture that distils the artist’s signature blend of humour and melancholy into a three-dimensional form. Crafted in smooth, matte-finished materials, the rounded head with oversized ears, purple hair, and a solitary expression rests atop a wooden box adorned with childlike doodles and the titular phrase. The juxtaposition of playful visuals with the deadpan message evokes a sense of resigned irony. This work aligns with Imon Boy’s wider practice, where street art aesthetics and comic motifs explore themes of loneliness, digital detachment, and emotional authenticity with disarming sincerity.
![Faye Dunaway The Morning After [co-signed]](https://artscapy.s3.amazonaws.com/bx_ads_photos_resized/m/mk/mky/mkyu9gbyu5qztzbnzzb7nf3khaeraght.jpeg)
Cosigned by Terry O'Neill and Faye Dunaway.
90x93 cm (incl. frame)This iconic photograph of Faye Dunaway by Terry O'Neill, taken the morning after her Oscar win for Network in 1977, perfectly captures the exhaustion and glory of Hollywood success. Dunaway is seated poolside at the Beverly Hills Hotel, draped in a silk robe, surrounded by newspapers reporting her triumph, with the Oscar statue prominently displayed. The composition blends glamour with a sense of quiet reflection, marking a moment of victory and solitude. O'Neill's ability to humanise his subjects while maintaining their mystique is evident here, making this image a standout in his oeuvre.