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The artwork features a mandala-like design composed of vibrant butterfly wings arranged in a kaleidoscopic pattern, reflecting themes of beauty, life, and mortality that are central to Hirst's practice.
Damien Hirst’s PV110. Inviting Veil (2019) is an oil on card work that radiates with kaleidoscopic vibrancy. Composed of dense, impasto daubs in a spectrum of bright hues, the surface resembles a blooming, almost pixelated floral field. Each brushstroke appears deliberate yet spontaneous, contributing to an overall effect of visual rhythm and joyful chaos. Part of Hirst’s Veil Paintings series, this piece reinterprets the pointillist tradition through a contemporary lens, linking back to the artist’s ongoing exploration of colour, pattern, and perception. It departs from his clinical earlier works, embracing a more expressive, painterly mode within his diverse practice.
PROVENANCE
Acquired directly from the artist by the present owner in 2018EXHIBITED
London, Royal Academy of Arts, RA Schools Show, 2018.
Cece Philips’ Cheek to Cheek (2022) captures a quiet moment of intimacy and connection. Two figures, dressed in rich hues of blue and yellow, lean against a railing, their faces nearly touching as they gaze into the distance. The soft gradient of the background, transitioning from deep blue to golden light, creates a sense of serenity and contemplation. Philips’ signature use of dramatic lighting and cinematic composition is evident here, reinforcing themes of companionship and quiet emotional depth. This piece aligns with her broader practice, which often explores solitude, connection, and the presence of Black figures in dreamlike, atmospheric settings.Provenance:
Artist Studio
ADA Contem
Javier Calleja’s No Wings to Fly (2023) is a charming mixed media sculpture that exemplifies the artist’s instantly recognisable aesthetic. Featuring an endearing, wide-eyed character with oversized green pupils, a mop of red hair, and exaggerated feet, the figure leans forward playfully, arms outstretched in a gesture of innocence and longing. The smooth, cartoon-like surface and minimalist palette enhance its toy-like appeal. As with much of Calleja’s oeuvre, this work blurs the line between sculpture and collectible, touching on themes of vulnerability, childhood, and emotional sincerity, all wrapped in a disarmingly whimsical, pop-inflected visual language.
![All You Need is Love [with Diamond Dust]](https://artscapy.s3.amazonaws.com/bx_ads_photos_resized/d/dz/dzt/dzttbuctrrxpckx4tjjw6khpdzvv4ccx.png)
Damien Hirst’s All You Need is Love showcases his iconic motif of butterflies, a recurring symbol in his work that reflects themes of beauty, fragility, and mortality. The piece presents an arrangement of vibrant butterflies—yellow, blue, and red—floating against a pale background, evoking a sense of lightness and transience. Typical of Hirst’s oeuvre, the artwork juxtaposes the ephemeral beauty of nature with deeper meditations on life and death. The butterflies, often associated with transformation and impermanence, capture his fascination with the cycle of existence, resonating with his broader explorations of art, science, and the passage of time.Signed in black ink and numbered in penci
This untitled 1973 artwork by Chico da Silva presents a vivid, dragon-like creature embellished with feathered wings and sinuous, decorative patterns. A brightly coloured bird rests atop its back, enhancing the surreal and mythical atmosphere of the scene. Overall, Da Silva’s characteristic use of bold, layered colours and intricate, wave-like brushstrokes is on full display, evoking his distinctive, folkloric aesthetic. Deeply rooted in Amazonian mythology and indigenous traditions, the composition reflects the artist’s fascination with fantastical hybrids and spiritual creatures. This piece is highly representative of his broader body of work, rich in symbolic imagination and vibrant visua
"Galos" by Chico da Silva bursts with vibrant colour and symbolic intensity, depicting two ornately stylised roosters in a dynamic, mirrored pose. Da Silva, a Brazilian artist celebrated for his folkloric and mythological themes, uses vivid pigments and fine line work to evoke movement and spiritual energy. Overall, the work explores themes of duality, conflict, and ritual, echoing indigenous cosmologies and the rhythms of nature. "Galos" is emblematic of da Silva’s oeuvre, which often combines fantastical creatures with a psychedelic palette, rooted in Amazonian visual culture and his own unique visionary style.
Hayley Axelrad’s Shrimp Ring is a vividly stylised tableau that captures the surreal tension of a mid-century dinner party. The scene is saturated with pastel hues and populated by stiff, enigmatic characters whose expressions hover between delight and discomfort. At the centre of the elongated green table rests a conspicuous shrimp ring, surrounded by ambiguous symbols of domestic life—cake, candles, flowers, and champagne. Axelrad’s flattened perspective and theatrical composition evoke both nostalgia and satire, critiquing societal performance and bourgeois rituals. The work is quintessential Axelrad, weaving humour and unease into a cinematic reflection on identity, family dynamics, and
Mark Tobey’s Untitled (Black, White and Red) (1965) is a dynamic and energetic work on paper that exemplifies his signature "white writing" style, here reinterpreted through gestural abstraction. With rhythmic sweeps of red, black, and white layered over a warm-toned background, the composition evokes both calligraphic fluidity and spiritual intensity. A pioneer of Abstract Expressionism influenced by Eastern philosophies, Tobey sought to convey the invisible energies of the cosmos. This piece is consistent with his mature period, reflecting a synthesis of Western abstraction and meditative aesthetics rooted in global cultural traditions.Signed and Dated 'Tobey 65' on lower left.
Accompanie
Hand-signed by artist, verso
Offered for sale in original HENI packaging
COA Included (issued by authorized authenticating body)
In Milano 3 (1992) by Lee Ufan is a minimalist print that elegantly explores repetition and gesture through the motif of the hat, rendered in rhythmic black and beige brushstrokes across a stark white surface. Measuring 155 x 91 cm and part of an edition of 50, this work continues Ufan’s lifelong meditation on presence and absence, material and void. The composition echoes his signature Relatum philosophy, yet the playful form of the hat suggests a more whimsical departure from his typically austere, meditative abstractions—marking this piece as a subtle but notable deviation within his broader oeuvre.
André Butzer’s Untitled is a vibrant, expressive work that showcases his distinctive fusion of abstraction and figuration. The painting features a stylised figure in a red dress, with elongated limbs and hollow, exaggerated eyes, set against a dynamic background of colourful, geometric brushstrokes. This piece reflects Butzer’s signature exploration of human emotion, cartoon-like aesthetics, and existential themes. The whimsical yet unsettling presence of the figure is characteristic of his oeuvre, where he blends elements of German Expressionism with pop culture influences. The work is emblematic of Butzer’s ongoing investigation into the boundaries of form, colour, and narrative.Provenance
Sola Olulode’s Everyday Gets Hotter Than The One Before (2021) is a radiant celebration of love and passion. The painting features two embracing figures rendered in deep, earthy tones against a glowing golden background, evoking warmth and intimacy. The textured brushstrokes and fluid, expressive lines create a sense of movement and energy, reinforcing themes of desire, joy, and deep connection. This work aligns with Olulode’s signature style, which centres on queer love, Black identity, and tenderness, while the rich golden hues add an especially vibrant and fiery dimension to her exploration of intimacy and affection.Provenance:
Artist Studio
Private Collection, Ghana
Imon Boy’s Nobody Cares (2023) is a sculpture that distils the artist’s signature blend of humour and melancholy into a three-dimensional form. Crafted in smooth, matte-finished materials, the rounded head with oversized ears, purple hair, and a solitary expression rests atop a wooden box adorned with childlike doodles and the titular phrase. The juxtaposition of playful visuals with the deadpan message evokes a sense of resigned irony. This work aligns with Imon Boy’s wider practice, where street art aesthetics and comic motifs explore themes of loneliness, digital detachment, and emotional authenticity with disarming sincerity.
![Las Flores del Mar Eran del Ayer I & II [Ditpych]](https://artscapy.s3.amazonaws.com/bx_ads_photos_resized/p/pd/pdx/pdxvweknxcuefndxqvycf8pgg8wckfjk.png)
Alexander Mignot’s Las Flores del Mar Eran del Ayer I & II is a raw and emotive diptych that confronts memory, transience, and the erosion of beauty. With gestural swaths of crimson evoking organic forms—perhaps flowers or sea creatures—set against stark white fields, the work feels simultaneously tender and confrontational. Scrawled text fragments like “AYER” (yesterday) and “LAS FLORES” (the flowers) anchor the composition in a poetic temporality, alluding to the loss or fading of something once vibrant. This piece continues Mignot’s characteristic use of expressive abstraction and language, making it a poignant extension of his deeply personal visual lexicon.
Samuel Nnorom's Hanging on You is a captivating mixed-media artwork, characterised by its intricate interplay of vibrant purples, blues, and golds, delicately arranged in bulbous textile clusters interwoven with thread-like green structures. The piece explores themes of interconnectedness, resilience, and the delicate balance between dependence and support. Nnorom’s signature use of upholstery materials, such as Ankara fabric, marks this work as emblematic of his style, which often delves into social and cultural narratives. However, its striking three-dimensionality and suspended, organic form might reflect an experimental evolution within his practice, pushing the boundaries of material an
"Red Earth" by Loie Hollowell is a striking screenprint that exemplifies her exploration of abstract forms and vibrant colours. The artwork features a series of undulating, organic shapes that emanate from a central point, creating a sense of depth and movement. The rich hues of red, orange, and brown evoke the warm tones of the earth, while the textural gradients add a tactile quality to the print. Hollowell's work often delves into themes of landscape and the human body, blending them into abstract compositions. "Red Earth" is characteristic of her style, capturing the essence of natural forms through a bold and captivating visual language.