Popular Ads
Gal Schindler’s Widening Circles radiates a sense of serenity and introspection through its ethereal composition and delicate use of line. A faint, reclining nude figure stretches across a pale, almost translucent background, interwoven with fine red threads that suggest both connection and distance. Above, five luminous orbs evoke celestial bodies or expanding points of consciousness, echoing the work’s title. The piece meditates on themes of selfhood, sensuality, and cosmic unity. While Schindler often works with figuration and abstraction, Widening Circles represents a more subtle and poetic approach within her body of work, marking a lyrical evolution in her visual language.
In Milano 1 (1992) by Lee Ufan is a serene and meditative print, characterised by minimalist gestures of black and beige brushstrokes dispersed across a white background. The composition evokes a sense of rhythm and spatial awareness, emblematic of Lee’s signature style rooted in the Mono-ha movement, which emphasised the relationship between materials and their environment. This artwork reflects Ufan’s consistent exploration of presence, absence, and the void, and is typical of his oeuvre—where restrained mark-making becomes a poetic act of contemplation and harmony. The print belongs to a limited edition of 50, reinforcing its rarity and collectability.
Pablo Benzo's A Place I Like Walking is a dreamlike composition that blends surrealism with geometric precision. The painting presents an ambiguous organic form merging with a framed landscape, where soft, rounded shapes contrast against angular structures. The artwork evokes themes of memory, perception, and the interplay between interior and exterior spaces. Benzo’s characteristic muted palette and fluid, biomorphic figures are evident, making this piece a continuation of his distinctive style. The juxtaposition of abstraction and recognisable elements invites contemplation, reflecting his ongoing exploration of surreal spatial relationships.
Michael Childress' Aurummm is a striking composition that merges geometric abstraction with a meditative sensibility. The painting features a radiant, sun-like orb encircled by symmetrical, golden-yellow arcs, creating a hypnotic sense of depth and movement. Below, a dark, elliptical void contrasts sharply with the luminous upper half, evoking themes of balance, transcendence, and the cosmic interplay of light and shadow. Childress' meticulous airbrushed gradients and restrained colour palette align with his signature style, reminiscent of both Op Art and spiritual minimalism. Aurummm exemplifies his exploration of mysticism and perception through precise yet atmospheric forms.Provenance:
G
Condition Report: Very Good: Surface variation, accretions and pinpoint instances of pigment fall out by the extreme edges are all inherent to the work and to be expected given the artists working process and chosen medium. Framed.
Hand-signed by the artist.
Eleanor Ekserdjian’s Dart is a subtle yet evocative landscape that captures the sensation of movement within stillness. Rendered in soft washes of green and violet, the composition features sweeping, dart-like gestures that slice through the misty surface, suggesting wind, flight, or fleeting forms. The work radiates a quiet energy, inviting contemplation of nature’s ephemeral rhythms. While differing in tone from her more frenetic drawings, Dart retains Ekserdjian’s hallmark sensitivity to motion and atmosphere. It marks a more meditative turn in her practice, expanding her exploration of gesture into a calmer, more lyrical visual language.
Cristina BanBan’s Mariana is a bold and intimate portrait that exemplifies her signature style, characterised by voluminous, exaggerated forms and an expressive use of line and colour. The work on paper depicts a reclining female figure in a close-up, almost confrontational pose, with rounded limbs and fleshy contours that celebrate the body in its raw, unidealised state. Themes of femininity, power, and sensuality permeate BanBan’s work, and Mariana is no exception—placing the viewer in a space of vulnerability and strength. This piece is typical of BanBan’s oeuvre, continuing her exploration of identity, self-representation, and the female form.Signed with the artist's initials "CB" lower
Richard Hambleton’s Standing Shadow - Blue (2018) is a striking continuation of his signature Shadowman series, characterized by haunting, spectral figures that seem to emerge from darkness. Printed on Hahnemühle Photo Rag, the piece retains the depth and texture of his original works, which often blurred the boundaries between street art and fine art.The dominant use of blue in this particular work adds a unique atmospheric quality, evoking mystery, isolation, and a ghostly presence. Hambleton’s Standing Shadow figures are known for their expressive energy, created through dynamic brushstrokes and splattered edges that suggest movement and depth. The elongated proportions of the figure in t
"Happy Choppers" is one of Banksy’s most iconic prints, first unveiled in 2003 at the artist’s Turf War exhibition. The print exemplifies Banksy’s signature blend of anti-authoritarian messaging and dark humor, combining elements of military imagery with subversive satire.The print depicts a group of military helicopters, armed and ready for combat, flying menacingly above. However, the twist lies in the absurdity of a single helicopter, painted with a pink bow on its head, softening the violent and aggressive appearance. This contrast between war machines and a lighthearted, almost childish adornment is typical of Banksy’s work, where he uses contradictions to provoke thought.Banksy is know
Danny Avidan’s On Being Numerous 20 is a mixed media painting that bursts with gestural energy and layered complexity. The surface is a chaotic interplay of smeared pastels, jagged black lines, and a signature swathe of fluorescent pink anchoring the bottom third. Scratched markings and an inset of monochrome splatter in the top left lend the work a visceral, almost diaristic feel. Like others in Avidan’s On Being Numerous series, this piece reflects the fragmentation of identity and thought, using abstraction as a means of emotional articulation. Its raw textures and intuitive mark-making are hallmarks of Avidan’s expressive, searching practice.
Yayoi Kusama's Pumpkin (RT), created in 1996, exemplifies her iconic motif of pumpkins rendered in meticulous dot patterns. The central red pumpkin, set against a black, web-like background, exudes a sense of hypnotic repetition and infinite depth, hallmarks of Kusama's work. The piece reflects her lifelong exploration of themes such as obsession, nature, and the interplay of form and void. Pumpkins, a symbol of comfort from Kusama's childhood, recur throughout her oeuvre, embodying her blend of personal narrative with universal appeal. This work is quintessential Kusama, capturing her unique vision and compulsive dedication to pattern and form.
Richard Hambleton’s Standing Shadow - Yellow & Red (2018) is another compelling piece from his renowned Shadowman series, continuing his exploration of the ghostly, enigmatic figures that became his artistic signature. This work, printed on Hahnemühle Photo Rag, preserves the rich texture and depth of Hambleton’s original painted works, which were often created in the streets of New York during the 1980s.Unlike the deep blues or blacks commonly associated with his Shadowman figures, the use of yellow and red in this piece adds a fiery, almost aggressive intensity. The contrast between the colors evokes a sense of heat, urgency, and movement, making the figure feel even more alive—almost
"Marilyn Crying" by Russell Young is a poignant portrayal of the iconic Marilyn Monroe. Rendered in a monochromatic palette, the artwork captures a moment of vulnerability, with Monroe's hand covering part of her face and her eyes closed. Young, known for his work in contemporary pop art, often explores themes of fame and tragedy. This piece is emblematic of his oeuvre, reflecting his fascination with the darker aspects of celebrity culture. The subdued tones and emotive expression mark a stark contrast to Monroe's glamorous public image, offering a deeper commentary on the pressures of stardom.
