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The afterlife of a bought-in lot: how buy-ins reprice comparable works
A bought-in lot is more than a lot that fails to meet it's reserve; it is a visible point of disagreement between seller expectations and buyer demand, marking a public failure of price validation that enters the record for comparable works and shapes how subsequent similar works are judged.The cent…
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Olga de Amaral’s auction market: category migration before market maturity
Olga de Amaral’s market captures the current revaluation of material-based practice within the language of contemporary abstraction. Long recognised within textile, fibre, and Latin American art histories, de Amaral is now being understood within a wider market framework that includes post-war abstr…
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How accurate are auction house estimates? A market-wide assessment
Auction house estimates occupy a central role in structuring expectations, anchoring pricing, and signalling value within the art market. Yet their accuracy, defined here as the ability to predict realised prices within a stated range, remains limited and highly conditional.Across a dataset of more …
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