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Cross-collecting and the art market: why category breadth improves auction absorption
For much of the post-war period, the upper end of the art and antiques market was organised around category specialism. Auction departments, dealer expertise and collector identities broadly aligned around discrete fields: Impressionist and Modern, Old Master paintings, English furniture, silver, je…
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Josef Albers market analysis: Homage to the Square and the auction logic of recognition
Albers’s market outlook: positive, with renewed momentumJosef Albers built his practice around the refusal of certainty, but his auction market has rewarded its opposite. In his intellectual practice, Albers believed colour to never be autonomous, changing with proximity, proportion, surface, light,…
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The afterlife of a bought-in lot: how buy-ins reprice comparable works
A bought-in lot is more than a lot that fails to meet it's reserve; it is a visible point of disagreement between seller expectations and buyer demand, marking a public failure of price validation that enters the record for comparable works and shapes how subsequent similar works are judged.The cent…
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