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Josef Albers market analysis: Homage to the Square and the auction logic of recognition
Albers’s market outlook: positive, with renewed momentumJosef Albers built his practice around the refusal of certainty, but his auction market has rewarded its opposite. In his intellectual practice, Albers believed colour to never be autonomous, changing with proximity, proportion, surface, light,…
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The afterlife of a bought-in lot: how buy-ins reprice comparable works
A bought-in lot is more than a lot that fails to meet it's reserve; it is a visible point of disagreement between seller expectations and buyer demand, marking a public failure of price validation that enters the record for comparable works and shapes how subsequent similar works are judged.The cent…
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Olga de Amaral’s auction market: category migration before market maturity
Olga de Amaral’s market captures the current revaluation of material-based practice within the language of contemporary abstraction. Long recognised within textile, fibre, and Latin American art histories, de Amaral is now being understood within a wider market framework that includes post-war abstr…
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