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A market in motion: The rise of female artists
In 2021, when Yayoi Kusama, a post-war Japanese artist, brought her Infinity Rooms and Chandelier of Grief to Tate Modern, the exhibition was almost perpetually sold out and remained on view for nearly three years. It is no surprise, then, that Kusama leads the global market for women artists, selli…
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In conversation with Oriele Steiner: On highlighting female subjectivity
Oriele Steiner (b. 1993) explores multitudes on her canvas. She paints a series of distorted shapes and figures, each rendered in vibrant shades of blue, orange, and yellow, put together in striking harmony. Recurring motifs such as pearls, lace bras, chiffon blouses, flowing hair, wilting sunflower…
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When giants falter: What really happens when the gallery model breaks
When Hauser & Wirth’s UK accounts were filed on 24 September 2025, they did more than raise eyebrows. They showed how even the best-run galleries can struggle when the market cools. According to The Financial Times, the filing showed revenues falling from £144 million to £68 million and pre-tax prof…
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