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Serious collecting decisions rarely turn on price alone. Before buying, selling, holding, lending against, or advising on a work, collectors assess whether the wider market supports the decision.Behind the best advisory conversations sits a structured view of the market: comparable transaction histo…
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For much of the post-war period, the upper end of the art and antiques market was organised around category specialism. Auction departments, dealer expertise and collector identities broadly aligned around discrete fields: Impressionist and Modern, Old Master paintings, English furniture, silver, je…
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Albers’s market outlook: positive, with renewed momentumJosef Albers built his practice around the refusal of certainty, but his auction market has rewarded its opposite. In his intellectual practice, Albers believed colour to never be autonomous, changing with proximity, proportion, surface, light,…
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