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In the spring of 1964, just a week after returning from their first tour of the United States, the Beatles started to shoot their first film, A Hard Day’s Night. Photographer Lord Chistopher Thynne (1934–2017), the son of the 6th Marquess of Bath, was invited onto the set for two days of filming. During this time he took candid photos of the Fab Four on and off set using medium-format and 35mm film. The negatives remained undeveloped for 57 years and were recently discovered among the family papers. Artist's name blindstamp lower right, publisher's blindstamp lower left, numbered in black pen to verso. Each of the developed prints are now available in two sizes and are strictly limited to 3
In the spring of 1964, just a week after returning from their first tour of the United States, the Beatles started to shoot their first film, A Hard Day’s Night. Photographer Lord Chistopher Thynne (1934–2017), the son of the 6th Marquess of Bath, was invited onto the set for two days of filming. During this time he took candid photos of the Fab Four on and off set using medium-format and 35mm film. The negatives remained undeveloped for 57 years and were recently discovered among the family papers. Artist's name blindstamp lower right, publisher's blindstamp lower left, numbered in black pen to verso. Each of the developed prints are now available in two sizes and are strictly limited to 35
A printer’s proof aside from the edition of 25. Signed in pencil lower right by Mapplethorpe, marked PP lower left. One of 10 plates from the Flowers portfolio. This image appears in Mapplethorpe: Pistils, p. 156, first published by Random House 1996. Presented in a chocolate stained oak frame with conservation acrylic glazing. The pricing includes VAT, framing charges, and shipping costs.
In the spring of 1964, just a week after returning from their first tour of the United States, the Beatles started to shoot their first film, A Hard Day’s Night. Photographer Lord Chistopher Thynne (1934–2017), the son of the 6th Marquess of Bath, was invited onto the set for two days of filming. During this time he took candid photos of the Fab Four on and off set using medium-format and 35mm film. The negatives remained undeveloped for 57 years and were recently discovered among the family papers. Artist's name blindstamp lower right, publisher's blindstamp lower left, numbered in black pen to verso. Each of the developed prints are now available in two sizes and are strictly limited to 35
Presented in a black frame with conservation mount and UV preventive glass. The pricing includes VAT, framing charges, and shipping costs.
