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Signed with initials, dated and numbered in pencil, published by Edition Copenhagen, printed in Denmark.
Signed and numbered on the front. Otis Kwame Quaicoe offers a new perspective on American history and African culture celebrated through the form of portraiture. With his bright and luminous portraits, Quaicoe engages with ideas of empowerment, a subject embodied in the postures of his sitters. In Rancher, Quaicoe takes subject the lesser-known history of the Black diaspora on the American frontier, conveying the complexities of the experiences of both himself and his subjects.
Hand-embellished, signed, and numbered by the artist with oil pastel, gouache, and Flashe
Each work is unique and will appear different than shown.
Signed and numbered on the frontThis limited edition collaboration with artist Claire Tabouret released in conjunction with the artist's solo exhibition 'L'Urgence et la Patience', running at Almine Rech Paris, Turenne, from October 16 to December 18, 2021.There is a brazen intimacy with these self-depictions, but also a sense of remove or alienation. With these works, Tabouret places herself in a lineage of women painters who have produced bravura self-portraiture, including seventeenth-century artists Sofonisba Anguissola, Artemisia Gentileschi, and Judith Leyster. At risk of oversimplification of a complex historical topic, one might say that, while excluded from the use of male models in
Signed, dated '2008' and annotated 'U.P.' in pencil, from the series of 102 unique variants (there were also 20 artist's prints), published by The Paragon Press, London, framed.
Numbered in letters, aside from the edition of 250.
Signed.
