Chris Levine’s She’s Light (Kate Moss) (2014) is a mesmerising screenprint that captures the supermodel in an ethereal, almost meditative state. Her closed eyes, luminous skin, and striking red lips evoke a sense of tranquillity and transcendence, reflecting Levine’s fascination with light and perception. This work is part of Levine’s ongoing exploration of portraiture through advanced technology and laser imagery, much like his renowned depictions of Queen Elizabeth II. She’s Light aligns with his signature style, blending celebrity iconography with a spiritual, almost holographic quality, elevating the subject beyond the material world.

Signed and Numbered on Verso. Andy Warhol’s Cow is a quintessential example of his Pop Art aesthetic, elevating a seemingly mundane subject into a vibrant, iconic image. The artwork features a high-contrast, screen-printed cow in bold yellow against a bright blue background, creating a striking visual effect. This piece reflects Warhol’s fascination with mass production and consumer culture, as he transforms everyday imagery into captivating art. Cow deviates from Warhol’s celebrity portraits and soup cans, instead exploring the interplay of humour and absurdity in a rural motif. It highlights his ability to imbue ordinary subjects with unexpected charm and cultural significance.

Damien Hirst’s All You Need is Love showcases his iconic motif of butterflies, a recurring symbol in his work that reflects themes of beauty, fragility, and mortality. The piece presents an arrangement of vibrant butterflies—yellow, blue, and red—floating against a pale background, evoking a sense of lightness and transience. Typical of Hirst’s oeuvre, the artwork juxtaposes the ephemeral beauty of nature with deeper meditations on life and death. The butterflies, often associated with transformation and impermanence, capture his fascination with the cycle of existence, resonating with his broader explorations of art, science, and the passage of time.Signed in black ink and numbered in penci

David Hockney's My Window: Set of 4 captures serene moments observed from the artist's window, blending interior intimacy with the changing beauty of nature. The vibrant lithographs depict flowers in vases and glimpses of the outside world, including blossoming branches and vivid skies, rendered in Hockney's signature bold palette and simplified forms. These works reflect his fascination with light, colour, and the passage of time, recurring themes throughout his oeuvre. While characteristic of Hockney's focus on everyday scenes, these pieces feel deeply personal, celebrating the quiet yet profound connection between artist and surroundings.Unframed in its original box.

"Happy Choppers" is one of Banksy’s most iconic prints, first unveiled in 2003 at the artist’s Turf War exhibition. The print exemplifies Banksy’s signature blend of anti-authoritarian messaging and dark humor, combining elements of military imagery with subversive satire.The print depicts a group of military helicopters, armed and ready for combat, flying menacingly above. However, the twist lies in the absurdity of a single helicopter, painted with a pink bow on its head, softening the violent and aggressive appearance. This contrast between war machines and a lighthearted, almost childish adornment is typical of Banksy’s work, where he uses contradictions to provoke thought.Banksy is know

"Onbu (Piggyback) (Blue)" (2013) by Stik is a minimalist yet emotionally evocative piece featuring two of the artist's signature stick figures, with one carrying the other on its back. Rendered in black lines against a pale blue background, this artwork captures a sense of support and camaraderie. This particular impression is notable for the clear visibility of the woodgrain printing in the background, adding a textured dimension to the piece. Stik's simple yet expressive style conveys deep emotion through basic forms, and his work often addresses themes of community and human connection. This limited edition piece reflects Stik's impactful visual language and social commentary.Printed at t

Cosigned by Terry O'Neill and Faye Dunaway. 90x93 cm (incl. frame)This iconic photograph of Faye Dunaway by Terry O'Neill, taken the morning after her Oscar win for Network in 1977, perfectly captures the exhaustion and glory of Hollywood success. Dunaway is seated poolside at the Beverly Hills Hotel, draped in a silk robe, surrounded by newspapers reporting her triumph, with the Oscar statue prominently displayed. The composition blends glamour with a sense of quiet reflection, marking a moment of victory and solitude. O'Neill's ability to humanise his subjects while maintaining their mystique is evident here, making this image a standout in his oeuvre.

Mario Schifano’s Tutte Stelle presents a dynamic constellation of red and yellow stars scattered across a hazy, textured background, evoking cosmic wonder and abstraction. Created during his exploration of popular culture and symbols, the work reflects Schifano’s interest in blending minimalism with the graphic language of mass media. This painting is emblematic of Schifano’s oeuvre, where recurring themes of modernity and iconography are infused with a playful yet profound aesthetic. The piece epitomises his ability to merge conceptual depth with striking visual simplicity.

Okta by Roby Dwi Antono is a hauntingly ethereal piece that embodies the artist’s signature fusion of surrealism and emotional introspection. Rendered in a monochromatic palette, the figure’s oversized, glassy eyes and soft, shadowed features evoke a sense of melancholy and innocence. Antono explores themes of solitude, childhood, and existential reflection, often juxtaposing beauty with unease. The sombre atmosphere, enhanced by the blurred edges and textured shading, reflects the dreamlike quality typical of Antono’s work. Okta aligns with his broader oeuvre, which frequently focuses on enigmatic, childlike figures to provoke introspection and emotional resonance.

Imon Boy’s Nobody Cares (2023) is a sculpture that distils the artist’s signature blend of humour and melancholy into a three-dimensional form. Crafted in smooth, matte-finished materials, the rounded head with oversized ears, purple hair, and a solitary expression rests atop a wooden box adorned with childlike doodles and the titular phrase. The juxtaposition of playful visuals with the deadpan message evokes a sense of resigned irony. This work aligns with Imon Boy’s wider practice, where street art aesthetics and comic motifs explore themes of loneliness, digital detachment, and emotional authenticity with disarming sincerity.

Javier Calleja’s No Wings to Fly (2023) is a charming mixed media sculpture that exemplifies the artist’s instantly recognisable aesthetic. Featuring an endearing, wide-eyed character with oversized green pupils, a mop of red hair, and exaggerated feet, the figure leans forward playfully, arms outstretched in a gesture of innocence and longing. The smooth, cartoon-like surface and minimalist palette enhance its toy-like appeal. As with much of Calleja’s oeuvre, this work blurs the line between sculpture and collectible, touching on themes of vulnerability, childhood, and emotional sincerity, all wrapped in a disarmingly whimsical, pop-inflected visual language.

Hanan by Roby Dwi Antono features a melancholic, childlike figure with oversized eyes and a stark, monochromatic palette. Known for blending surrealism with pop culture, Antono’s works often explore innocence, vulnerability, and existential themes. This piece, with its haunting simplicity and subtle expression, reflects Antono’s signature style—evoking both nostalgia and unease. The character’s minimalistic features and muted tones focus attention on the figure’s gaze, a hallmark of the artist’s exploration of human emotion. Hanan is emblematic of Antono’s oeuvre, showcasing his ability to merge contemporary illustration with classical motifs to create dreamlike, thought-provoking imagery.

PROVENANCE Acquired directly from the artist by the present owner in 2018EXHIBITED London, Royal Academy of Arts, RA Schools Show, 2018.

Tomokazu Matsuyama's Daylight Away captivates with its vibrant collage of colours and dynamic forms within a figure-eight composition. The artwork integrates traditional Japanese motifs, such as kimono patterns and natural elements, with modern, abstract aesthetics, symbolising the tension between tradition and globalisation. Matsuyama’s signature style blends East and West, with fragmented layers and vivid contrasts, a recurring theme in his oeuvre. Daylight Away exemplifies his exploration of cultural identity and hybridity, showcasing a seamless interplay of chaos and harmony. This piece aligns strongly with his typical work, embodying his unique visual language and thematic depth.Signed

"Pinocchio" by Liu Ye is a monochromatic work that captures the essence of the classic character in a unique and contemplative manner. Liu Ye's portrayal of Pinocchio features the puppet with a serene, almost melancholic expression, set against a stark black background. The simplicity and muted tones of the piece highlight the emotional depth and introspective quality of the character. Known for blending Eastern and Western influences, Liu Ye often infuses his work with a sense of innocence and introspection. "Pinocchio" exemplifies his distinctive style, focusing on themes of childhood, nostalgia, and the interplay between fiction and reality.Printed by Vigna Antoniniana, Rome Published by

"The Boundaries of Our Reality" by The Connor Brothers is a thought-provoking screen print blending vintage imagery with modern typography. The artwork features a glamorous woman in a satin gown, lounging against a backdrop of colourful circles and a striking yellow background. The text, "The boundaries of our reality are set by the limits of our imagination," underscores themes of perception and creativity. Typical of The Connor Brothers' oeuvre, this piece combines humour and irony with a nostalgic aesthetic, challenging viewers to question the nature of reality and the power of imagination.Mint condition. Hand Signed and Numbered.