Cosigned by Terry O'Neill and Faye Dunaway. 90x93 cm (incl. frame)This iconic photograph of Faye Dunaway by Terry O'Neill, taken the morning after her Oscar win for Network in 1977, perfectly captures the exhaustion and glory of Hollywood success. Dunaway is seated poolside at the Beverly Hills Hotel, draped in a silk robe, surrounded by newspapers reporting her triumph, with the Oscar statue prominently displayed. The composition blends glamour with a sense of quiet reflection, marking a moment of victory and solitude. O'Neill's ability to humanise his subjects while maintaining their mystique is evident here, making this image a standout in his oeuvre.

Mario Schifano’s Tutte Stelle presents a dynamic constellation of red and yellow stars scattered across a hazy, textured background, evoking cosmic wonder and abstraction. Created during his exploration of popular culture and symbols, the work reflects Schifano’s interest in blending minimalism with the graphic language of mass media. This painting is emblematic of Schifano’s oeuvre, where recurring themes of modernity and iconography are infused with a playful yet profound aesthetic. The piece epitomises his ability to merge conceptual depth with striking visual simplicity.

Okta by Roby Dwi Antono is a hauntingly ethereal piece that embodies the artist’s signature fusion of surrealism and emotional introspection. Rendered in a monochromatic palette, the figure’s oversized, glassy eyes and soft, shadowed features evoke a sense of melancholy and innocence. Antono explores themes of solitude, childhood, and existential reflection, often juxtaposing beauty with unease. The sombre atmosphere, enhanced by the blurred edges and textured shading, reflects the dreamlike quality typical of Antono’s work. Okta aligns with his broader oeuvre, which frequently focuses on enigmatic, childlike figures to provoke introspection and emotional resonance.

Imon Boy’s Nobody Cares (2023) is a sculpture that distils the artist’s signature blend of humour and melancholy into a three-dimensional form. Crafted in smooth, matte-finished materials, the rounded head with oversized ears, purple hair, and a solitary expression rests atop a wooden box adorned with childlike doodles and the titular phrase. The juxtaposition of playful visuals with the deadpan message evokes a sense of resigned irony. This work aligns with Imon Boy’s wider practice, where street art aesthetics and comic motifs explore themes of loneliness, digital detachment, and emotional authenticity with disarming sincerity.

Javier Calleja’s No Wings to Fly (2023) is a charming mixed media sculpture that exemplifies the artist’s instantly recognisable aesthetic. Featuring an endearing, wide-eyed character with oversized green pupils, a mop of red hair, and exaggerated feet, the figure leans forward playfully, arms outstretched in a gesture of innocence and longing. The smooth, cartoon-like surface and minimalist palette enhance its toy-like appeal. As with much of Calleja’s oeuvre, this work blurs the line between sculpture and collectible, touching on themes of vulnerability, childhood, and emotional sincerity, all wrapped in a disarmingly whimsical, pop-inflected visual language.

Hanan by Roby Dwi Antono features a melancholic, childlike figure with oversized eyes and a stark, monochromatic palette. Known for blending surrealism with pop culture, Antono’s works often explore innocence, vulnerability, and existential themes. This piece, with its haunting simplicity and subtle expression, reflects Antono’s signature style—evoking both nostalgia and unease. The character’s minimalistic features and muted tones focus attention on the figure’s gaze, a hallmark of the artist’s exploration of human emotion. Hanan is emblematic of Antono’s oeuvre, showcasing his ability to merge contemporary illustration with classical motifs to create dreamlike, thought-provoking imagery.

PROVENANCE Acquired directly from the artist by the present owner in 2018EXHIBITED London, Royal Academy of Arts, RA Schools Show, 2018.

Tomokazu Matsuyama's Daylight Away captivates with its vibrant collage of colours and dynamic forms within a figure-eight composition. The artwork integrates traditional Japanese motifs, such as kimono patterns and natural elements, with modern, abstract aesthetics, symbolising the tension between tradition and globalisation. Matsuyama’s signature style blends East and West, with fragmented layers and vivid contrasts, a recurring theme in his oeuvre. Daylight Away exemplifies his exploration of cultural identity and hybridity, showcasing a seamless interplay of chaos and harmony. This piece aligns strongly with his typical work, embodying his unique visual language and thematic depth.Signed

Billy Childish’s Moonrise is a contemplative landscape that merges romantic naturalism with a modernist twist. Framed by textured tree trunks, the serene scene of a rising moon reflected in a tranquil body of water evokes a timeless connection to nature. The soft pastel palette, combined with linear details and a delicate lightbulb reflection in the water, imbues the work with both warmth and mystery. This painting aligns with Childish’s broader practice of blending introspective themes and expressive techniques, offering a poetic meditation on solitude, the passage of time, and humanity’s relationship with the natural world.Provenance: Artist Neugerriemschneider Gallery, Berlin (Art Basel

"Pinocchio" by Liu Ye is a monochromatic work that captures the essence of the classic character in a unique and contemplative manner. Liu Ye's portrayal of Pinocchio features the puppet with a serene, almost melancholic expression, set against a stark black background. The simplicity and muted tones of the piece highlight the emotional depth and introspective quality of the character. Known for blending Eastern and Western influences, Liu Ye often infuses his work with a sense of innocence and introspection. "Pinocchio" exemplifies his distinctive style, focusing on themes of childhood, nostalgia, and the interplay between fiction and reality.Printed by Vigna Antoniniana, Rome Published by

"The Boundaries of Our Reality" by The Connor Brothers is a thought-provoking screen print blending vintage imagery with modern typography. The artwork features a glamorous woman in a satin gown, lounging against a backdrop of colourful circles and a striking yellow background. The text, "The boundaries of our reality are set by the limits of our imagination," underscores themes of perception and creativity. Typical of The Connor Brothers' oeuvre, this piece combines humour and irony with a nostalgic aesthetic, challenging viewers to question the nature of reality and the power of imagination.Mint condition. Hand Signed and Numbered.