Yayoi Kusama's Pumpkin (RT), created in 1996, exemplifies her iconic motif of pumpkins rendered in meticulous dot patterns. The central red pumpkin, set against a black, web-like background, exudes a sense of hypnotic repetition and infinite depth, hallmarks of Kusama's work. The piece reflects her lifelong exploration of themes such as obsession, nature, and the interplay of form and void. Pumpkins, a symbol of comfort from Kusama's childhood, recur throughout her oeuvre, embodying her blend of personal narrative with universal appeal. This work is quintessential Kusama, capturing her unique vision and compulsive dedication to pattern and form.

Harland Miller’s Hate’s Outta Date (Blue) (2022) is a screenprint that cleverly mimics the iconic Penguin paperback design, merging literary nostalgia with punchy contemporary messaging. Rendered in a cool palette of blues and creams, the work centres on bold, retro-style typography that delivers its titular phrase with wry optimism. The presence of the signature penguin adds a touch of familiarity and irony. Known for his fusion of text and image, Miller’s work often satirises the cultural authority of books, and this piece is no exception—typical of his acclaimed series blending humour, politics, and pop art sensibilities.

Forrest Kirk’s Fist 7 (2020) is a compelling mixed media work executed in acrylic and Gorilla glue on canvas. A monumental clenched fist dominates the composition, set against a vibrant pink backdrop. The form is fragmented and stylised, with exaggerated musculature and cubist-influenced planes, while a graphic eye peers out from within the structure—an emblem of surveillance or awareness. This powerful visual language reflects Kirk’s ongoing engagement with themes of identity, resistance, and Black empowerment. Fist 7 resonates strongly with his broader oeuvre, which often reclaims figuration through bold, textured materials and charged symbolism.

Sola Olulode’s Everyday Gets Hotter Than The One Before (2021) is a radiant celebration of love and passion. The painting features two embracing figures rendered in deep, earthy tones against a glowing golden background, evoking warmth and intimacy. The textured brushstrokes and fluid, expressive lines create a sense of movement and energy, reinforcing themes of desire, joy, and deep connection. This work aligns with Olulode’s signature style, which centres on queer love, Black identity, and tenderness, while the rich golden hues add an especially vibrant and fiery dimension to her exploration of intimacy and affection.Provenance: Artist Studio Private Collection, Ghana

Cece Philips’ Cheek to Cheek (2022) captures a quiet moment of intimacy and connection. Two figures, dressed in rich hues of blue and yellow, lean against a railing, their faces nearly touching as they gaze into the distance. The soft gradient of the background, transitioning from deep blue to golden light, creates a sense of serenity and contemplation. Philips’ signature use of dramatic lighting and cinematic composition is evident here, reinforcing themes of companionship and quiet emotional depth. This piece aligns with her broader practice, which often explores solitude, connection, and the presence of Black figures in dreamlike, atmospheric settings.Provenance: Artist Studio ADA Contem

Michael Childress' Aurummm is a striking composition that merges geometric abstraction with a meditative sensibility. The painting features a radiant, sun-like orb encircled by symmetrical, golden-yellow arcs, creating a hypnotic sense of depth and movement. Below, a dark, elliptical void contrasts sharply with the luminous upper half, evoking themes of balance, transcendence, and the cosmic interplay of light and shadow. Childress' meticulous airbrushed gradients and restrained colour palette align with his signature style, reminiscent of both Op Art and spiritual minimalism. Aurummm exemplifies his exploration of mysticism and perception through precise yet atmospheric forms.Provenance: G

Pablo Benzo's A Place I Like Walking is a dreamlike composition that blends surrealism with geometric precision. The painting presents an ambiguous organic form merging with a framed landscape, where soft, rounded shapes contrast against angular structures. The artwork evokes themes of memory, perception, and the interplay between interior and exterior spaces. Benzo’s characteristic muted palette and fluid, biomorphic figures are evident, making this piece a continuation of his distinctive style. The juxtaposition of abstraction and recognisable elements invites contemplation, reflecting his ongoing exploration of surreal spatial relationships.

Rob Ober's Faded Flag is a raw, expressive work that blends figuration with primal energy. The painting depicts two contorted, almost feral figures in shades of blue and deep maroon, their exaggerated limbs and distressed expressions evoking chaos and struggle. The dripping paint and rough brushwork enhance the sense of urgency, suggesting themes of conflict, identity, and societal unrest. This piece aligns with Ober's visceral, outsider-art aesthetic, where the grotesque and the absurd merge to challenge conventional representations. Faded Flag exemplifies his exploration of power dynamics and human vulnerability through an unfiltered, almost hallucinatory visual language.Provenance: Shrin

"Red Earth" by Loie Hollowell is a striking screenprint that exemplifies her exploration of abstract forms and vibrant colours. The artwork features a series of undulating, organic shapes that emanate from a central point, creating a sense of depth and movement. The rich hues of red, orange, and brown evoke the warm tones of the earth, while the textural gradients add a tactile quality to the print. Hollowell's work often delves into themes of landscape and the human body, blending them into abstract compositions. "Red Earth" is characteristic of her style, capturing the essence of natural forms through a bold and captivating visual language.

This untitled 1963 artwork by Chico da Silva presents a vivid, dragon-like creature embellished with feathered wings and sinuous, decorative patterns. A brightly coloured bird rests atop its back, enhancing the surreal and mythical atmosphere of the scene. Overall, Da Silva’s characteristic use of bold, layered colours and intricate, wave-like brushstrokes is on full display, evoking his distinctive, folkloric aesthetic. Deeply rooted in Amazonian mythology and indigenous traditions, the composition reflects the artist’s fascination with fantastical hybrids and spiritual creatures. This piece is highly representative of his broader body of work, rich in symbolic imagination and vibrant visua

Bridget Riley’s Going Across exemplifies her mastery of geometric abstraction and optical illusion. The artwork features flowing, interwoven shapes in blue and ochre, creating a dynamic sense of movement. Riley’s work is rooted in Op Art, where she explores perception, rhythm, and the interaction of colours. This piece aligns with her signature style, evoking a sense of visual vibration through carefully composed forms.

André Butzer’s Untitled is a vibrant, expressive work that showcases his distinctive fusion of abstraction and figuration. The painting features a stylised figure in a red dress, with elongated limbs and hollow, exaggerated eyes, set against a dynamic background of colourful, geometric brushstrokes. This piece reflects Butzer’s signature exploration of human emotion, cartoon-like aesthetics, and existential themes. The whimsical yet unsettling presence of the figure is characteristic of his oeuvre, where he blends elements of German Expressionism with pop culture influences. The work is emblematic of Butzer’s ongoing investigation into the boundaries of form, colour, and narrative.Provenance

"Galos" by Chico da Silva bursts with vibrant colour and symbolic intensity, depicting two ornately stylised roosters in a dynamic, mirrored pose. Da Silva, a Brazilian artist celebrated for his folkloric and mythological themes, uses vivid pigments and fine line work to evoke movement and spiritual energy. Overall, the work explores themes of duality, conflict, and ritual, echoing indigenous cosmologies and the rhythms of nature. "Galos" is emblematic of da Silva’s oeuvre, which often combines fantastical creatures with a psychedelic palette, rooted in Amazonian visual culture and his own unique visionary style.