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DAMIEN HIRST
A Dream, from the Love Poems series, 2013
signed in pencil and numbered on the back, from the edition of 55
photogravure etching with lithographic overlay, on Arches wove paper
30 3/4 x 29 7/8 in
78 x 76 cm
Edition of 55 (#18/55)
67.2 x 47.2 cm
screenprint in colours on wove,
numbered 312/750 in pencil,
published by Pictures on Walls, London,
image: 67.2 x 47.2 cm,
(unframed)
(ARR)
MEET MATTHEW BURGESS, THE ARTIST BEHIND DRAKE'S EMBROIDERED 'SCORPION' MERCH. Selected Solo Exhibitions 2023 Matthew Burgess: Myxomatosis ,Adler Beatty ,Upper East Side, New York, USA Matthew Burgess is an artist.
Mary Jane Ansell has been a finalist in the prestigious BP Portrait Award in 2004, 2009, 2010 and 2012 and was subsequently commissioned by the National Portrait Gallery to paint Sir Stelios Haji-Ioannou. Exhibiting regularly with the Royal Society of Portrait Painters and a member of the CBPP Contemporary British Portrait Painters she is based in the UK and shows internationally with recent group and solo exhibitions in London, New York and Los Angeles.
Her works feature in private and public collections world wide including commissions for the permanent collections of The National Portrait Gallery UK, Brighton and Hove Museums, The Bennett Collection and Joe Lewis Collection where her wo
LOIE HOLLOWELL (B. 1983)
Red Earth
screenprint in colours with crushed glass, 2021, on wove paper, signed and numbered 38/50 in pencil, published by Migrate Art, London
Image 305 x 228 mm.
Sheet 375 x 288 mm.
Johanna Seidel's "Sustain Yourself with Secrets" is an evocative exploration of the hidden depths of the psyche. Through textured layers and a rich, contemplative palette, Seidel invites the viewer into a world where the seen and unseen coalesce. This artwork stands as a beacon for those who seek to unravel the mysteries of the self, marking Seidel as a visionary artist whose work embodies the essence of introspective inquiry.
Primary Market:
2024 has already seen a strong start, with a group show with Soho Revue in London. This is a tastemaker gallery which has pushed artist’s careers to the next level in the past. Also this year, and with another tastemaker gallery SHE BAM, she has been
STIK (B. 1979)
Onbu (Piggyback) (Blue)
ukiyo-e woodcut in black, white and blue, 2013, on laid rice paper, signed and numbered 5/15 in pencil (there were also ten artist's proofs), a very good impression with the woodgrain printing clearly in the background, printed at the Adachi Foundation, Japan, published by the artist
Block 396 x 180 mm.
Sheet 474 x 200 mm.
LIU YE (B. 1964)
Little Girl with Balloons
screenprint in colours, 2001, on wove paper, signed in English and in Chinese, dated and numbered 19/50 in pencil, published by George Mulder, Amsterdam
Image & Sheet 800 x 617 mm.
Extra Notes for Condition Report:
Minor scuffs in top left quadrant, bottom right quadrant and bottom left quadrant. Otherwise sold as is and in excellent condition.
Additional images available on request.
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Sunyoung Hwang's "Untitled" stands as a bold statement of color and emotion, where the abstract and the tangible converge in a dazzling display of artistic prowess. Hwang's ability to manipulate form and hue to create a sense of movement and depth positions her work as a dynamic exploration of the psychological and emotional landscapes that define the human condition. This piece encapsulates Hwang's skill in crafting visually arresting works that demand engagement and reflection.
Ikeorah Chisom Chi-FADA's "The Oathkeeper" is a vibrant testament to the power of narrative and heritage. Through bold colors and compelling imagery, Chi-FADA weaves a tale that bridges the past with the present, offering a glimpse into the rich tapestry of cultural memory and identity. This artwork is not just a visual feast but a call to recognize and honor the stories that shape our collective journey.
Accompanied by a COA of Pest Control
Banksy's Donuts, Strawberry, 2009 serves as a striking emblem of societal critique, unveiling the captivating protectionism which intertwines the realms of consumerism and authority in the artists signature rebellious satire. Debuting in 2009, this iconic artwork unveils a scene where a whimsically exaggerated pink iced donut commands attention atop an American police van, escorted by a convoy of police officers on motorcycles in military formation. Unlike Banksy's predominant street murals, 'Donut Strawberry' finds its expression solely through paintings and screenprints, amplifying its enigmatic allure and leaving an indelible mark on the viewer's cons
