"Drawing Party" (2020) by Rebecca Ness is a richly detailed oil painting depicting a lively, intimate scene of collaborative creativity. Set around a wooden table cluttered with sketches, pencils, and notes, several hands engage in drawing, gesturing, or resting—suggesting a communal art session. At the center, a phone displays a woman’s focused face, possibly attending virtually, blending digital presence with physical space. Ness’s signature style—hyper-detailed, pattern-rich, and deeply personal—captures the textures of everyday life while highlighting themes of connection, creativity, and observation.

Hand-signed by the artist.

Offered for sale in original HENI packaging Hand-signed by artist, verso COA Included (issued by authorized authenticating body)

Hand-signed by artist, verso Offered for sale in original HENI packaging COA Included (issued by authorized authenticating body)

Hand-signed by artist, numbered lower right.

Provenance: Gallery Crèvecoeur, Paris Private Collection, France

Get Out While You Can by Banksy is a powerful screenprint that fuses sardonic wit with a warning about modern life’s disillusionments. Signed by the artist, the piece features stark, stencilled text against a minimalist background, commanding urgency and rebellion. Themes of escape, societal critique, and personal freedom are at the heart of the work, aligning seamlessly with Banksy’s wider artistic narrative. This artwork is emblematic of Banksy's typical style—bold, provocative, and sharply critical—making it a quintessential example within his acclaimed body of work.Accompanied by COA of Pest Control.

Banksy’s Welcome to Hell (Pink) is a striking screenprint that captures the artist’s signature blend of dark humour and stark social commentary. Rendered in bold pink tones, this piece confronts viewers with an anarchic message of rebellion and disillusionment. The motif of civil unrest and the critique of authority are prevalent here, recurring themes throughout Banksy’s oeuvre. Despite its vibrant colour, the artwork retains the raw, gritty tone that is typical of Banksy's style. As an unsigned edition, it remains a coveted and authentic piece within the artist’s body of politically charged works.Accompanied with COA of Pest Control.

Cristina BanBan’s Mariana is a bold and intimate portrait that exemplifies her signature style, characterised by voluminous, exaggerated forms and an expressive use of line and colour. The work on paper depicts a reclining female figure in a close-up, almost confrontational pose, with rounded limbs and fleshy contours that celebrate the body in its raw, unidealised state. Themes of femininity, power, and sensuality permeate BanBan’s work, and Mariana is no exception—placing the viewer in a space of vulnerability and strength. This piece is typical of BanBan’s oeuvre, continuing her exploration of identity, self-representation, and the female form.Signed with the artist's initials "CB" lower

"Black Attire" (2022) by Adjei Tawiah is a commanding and textured portrait created using sponge and oil on canvas, measuring 180 × 150 cm. The work features a striking figure dressed in layered black fabric, with glowing blue-toned skin and vibrant orange lips, exuding calm confidence and self-assuredness. Golden earrings add a bold, elegant accent, and the play of light and shadow—especially the silhouette on the wall—adds dimensional depth.Tawiah's unique use of sponge as a textural element enhances the tactile realism of the clothing, bringing a sculptural presence to the flat canvas. The piece explores themes of identity, pride, and presence with minimalist yet powerful visual language.

This artwork, titled "Strawberry Suit" (2022) by Aplerh-Doku Borlabi, is a striking and textured piece created using coconut sheath and oil on canvas. Measuring 120 × 90 cm, the piece features a figure in a bold, fruit-patterned outfit holding a content-looking cat. The background is a rich, dusty rose color that contrasts beautifully with the vibrant, stylized clothing.Borlabi's use of coconut sheath adds a tactile, almost sculptural quality to the subject's face and hands, giving it an earthy, organic feel. The whimsical strawberry and fruit motifs, along with the figure's serene expression and affectionate gesture toward the cat, create a mood that feels both playful and intimate.

Mark Tobey’s Untitled (Black, White and Red) (1965) is a dynamic and energetic work on paper that exemplifies his signature "white writing" style, here reinterpreted through gestural abstraction. With rhythmic sweeps of red, black, and white layered over a warm-toned background, the composition evokes both calligraphic fluidity and spiritual intensity. A pioneer of Abstract Expressionism influenced by Eastern philosophies, Tobey sought to convey the invisible energies of the cosmos. This piece is consistent with his mature period, reflecting a synthesis of Western abstraction and meditative aesthetics rooted in global cultural traditions.Signed and Dated 'Tobey 65' on lower left. Accompanie

Sarah Faux’s Heavy Bloom (2018) is a painting that blurs the boundaries between figuration and abstraction, using gestural lines and translucent layers to evoke the body and its sensations. Dominated by vibrant hues of pink, orange, and yellow, the composition suggests a reclining figure partially obscured by a large hand or floral form, inviting interpretations of touch, intimacy, and inner experience. Faux’s fluid, painterly language—here applied in a sensual, almost surreal palette—is characteristic of her broader practice, which explores embodiment and desire through fragmented, emotive perspectives grounded in feminist and psychological inquiry.

M. Florine Démosthène’s Contrite (2018) is a mixed media work that blends figuration and abstraction in a dreamlike, emotionally charged tableau. Rendered through layered textures and patterned surfaces, two entwined figures—one glittering, one marbled—float against a smoky, atmospheric backdrop with hints of celestial blue. The work conveys intimacy and introspection, evoking vulnerability, desire, and the complexities of identity. Démosthène’s signature use of mixed media—often combining ink, collage, glitter, and paint—mirrors her broader practice, which explores Black femininity and mythology through sensual, otherworldly narratives that straddle the personal and the fantastical.

Condition Report: Very Good: Surface variation, accretions and pinpoint instances of pigment fall out by the extreme edges are all inherent to the work and to be expected given the artists working process and chosen medium. Framed. Hand-signed by the artist.