ABE publishing (2017) No.186, 1993, screenprint, 24.2x33cm, sheet size 33.5x43cm (with full margins), signed in the lower right margin, titled and dated in the lower center margin, ed.160 in the lower left margin, framed.

Great Expectations started as a collection of 10,000 unique artworks. Drawing on the logic of Damien Hirst's generative Spot Paintings series (begun in 1986) and following on from the cover he designed for Drake’s “Certified Lover Boy” album (2021), each NFT arranges 12 emoji-like pregnant women into a strict grid format.After 2 years into the process, for a limited time, the owners of the NFTs were given the opportunity to convert them into a physical and unique print. In doing so, the properties of the NFT were kept, making each print unique. 748 owners exchanged their NFT into a physical artwork. This is one of those

Provenance: Pt. 2 Gallery, New York Private Collection, UK

Signed and Dated.

Signed and Dated.

Edition 58 of 200, 30 AP, 5 PP, 5 EP, signed and numbered in pencil lower left. Provenance: Private collection USA Halcyon Gallery, London Private collection, UK

Artist Proof 3/30, aside from an Edition of 200 Regular Editions, 30 AP, 5 PP, 5 EP. Signed and numbered in pencil lower right. Provenance: Private collection USA Halcyon Gallery, London Private collection, UK

Tapestry made for the artist by Pinton Freres Aubusson Signed and stamped in the weave ‘Calder’ and initialed Pf with Pinton Freres label in the reverse and signed Sandra Calder Davidson.Provenance: Pinton Freres, Aubusson, France Private collection, London Crane Kalman Gallery, London Corporate collection, London (purchased from the above in 2012)

Signed in pencil, numbered from the Edition of 55 (there were also ten artist's proofs). Published by The Paragon Press, London.Provenance: Christie's NYC (Feb 2024)

Printed by Sally Gimson, Hove Signed in pencil, dated, titled, numbered from the edition of 90. Total edition includes ten Artist's proofs. Provenance: Artist Studio, April 2020 Private Collection, UK

Signed and dated in pencil, numbered 22/68 (there were also 14 artist's proofs). Published by Gemini G.E.L., Los Angeles, with their blindstamps and inkstamp verso. The full sheet, some toning at the sheet edges, otherwise in good condition. Literature: Tokyo 335; Gemini 604